Productions - Monthly Plan

Silent Voice is a gripping story of four men on the run after a botched robbery that turns into murder, with some meaningful and realistic commentary about life in modern-day South Africa. Written and directed by Aubrey Sekhabi, It stars Presley Chweneyagae, Boitumelo Shisana wa Sekgobela, Zenzo Ngqobe and Tumelo ‘Don’ Mosenye.

The mountains true life is the life of not just birds, pebbles, trees, wells, and the soil… but a jaw-dropping alluring existence of ritualistic expressions, that include inherited stories, traditional poems, cultural celebratory songs, and war-dance moves that can depict the trials, tribulations, and triumphant lives of the people [batho]. What if the actual mountain unearths and cultivates itself into a perfect human metaphor that re-embodies itself through Bo’nkgono-nkgono [great-grandmothers]. What if Bo’nkgono-nkgono re-birth themselves as this mountain we can climb, see, hear, touch, and feel? Could it be that through dipina, diboko, dithoko, difela le ditshomo Bo’nkgono-nkgono re-birth and reincarnate as Thaba Bosiu (the-mountain-of-the-night) … to display a rainbow of diverse cultures and traditions that are a cross between the existence, experience, screams and dreams of Morena Moshoeshoe (I) the founder of Batho-Ba-Sootho? Is it possible for Bo’nkgono-nkgono through narrative myths and magic rise-up to mirror the imaginative face of Morena Moshoeshoe (I), the one who drew together the scattered Basotho people who had been driven apart by both the Zulu and Ndebele raids, and created Lesotho, which became the Basotho Kingdom. Imagine three strong feminine voices re-tell of Thaba Bosiu (the-mountain-of-the-night) echoing to us to go tell it on the mountain! For the mountain remains the same — unstoppable, unchangeable, and unmovable. Then imagen if one day Thaba Bosiu (the-mountain-of-the-night) turn around to bite, push, and throw you back down… so damn! hard that you recoil with pride who your people are.

A story of freedom fighters and community activists who are turned to be deadly assassins, double agents, informers and intelligence analysts. It tells the story of men and women who infiltrated organized civic movements and student organisations for recruiting unsuspecting youth and influential leaders. This story interrogates the decisions that led to their choice of turning from community activists to mass killers. The story goes deep into the personal account of these individuals who administered pain, fear and death. These stories of betrayal, death, redemption, and forgiveness are captured through dazzling music, dance, and powerful storytelling.

There comes a time in every story when it feels like hope is lost. Everything is going wrong, all options have been exhausted, and the only thing left to do is pray for divine interventions. Developed in confinement, this outdoor processional performance is a playful response to the challenges of 2020 and beyond. Four goddesses descend from the heavens and tour the streets on their giant bicycle, having received word that the world is in dire need of their help.

The production is an adaption of the book We Are Going to Kill Each Other Today: The Marikana Story by Thanduxolo Jika, Sebabatso Mosamo, Leon Sadiki, Athandiwe Saba, Lucas Ledwaba and Felix Dlangamandla. The book looks at the lives of mineworkers, such as the late Mgcineni “Mambush” Noki, and their families, as well as the events leading up to the massacre. Noki became the face of the strike and was known as the “man in the green blanket” because of the blanket he was often photographed wearing. Genre: Drama Musical Age Restriction: 13 up

Western historians have always portrayed the great African King USHAKA as a blood thirsty tyrant who only wanted power and nothing else. This is not true; King SHAKA is the foundation and the pillar of the African people. He wanted to form one strong nation of the Southern hemisphere. King SHAKA ZULU is a legendary figure of unity that was determined to establish one mighty nation of the Southern Hemisphere. He unfortunately died before he could realize his vision, killed by his selfish brother Dingane and Mhlangano. Upon his death he cursed his assassins and the children that their rule shall swim in blood. Genre: Drama Age restriction: Al

This is an introspective drama tracing how BLACK, WOKE YOUNG WOMEN are facing the challenges of identity crisis. How the Tradition, Culture, Custom and Education at some instance is used to tame the Wild Woman. The play attempts to revive the confidence of these women in a harsh environment both from rural and urban areas and encourages them to be proud of who they are yet be able to embrace their culture and Tradition.

The generation of patriots who left everything behind and went to pursue the liberation struggle in Africa. It deals with sins of the past, plumbing the dark depths of human rights abuses that took place in the Umkhonto weSizwe (MK) camps around Africa and the abuse of power by the party’s leaders and military commanders during its exile years. It is a brave and unflinching look at one of the ANC’s darkest periods.

A strong cast of 47 members and a thirteen-piece band tell the story of Phindile (Simphiwe Ndlovu), a Tshwane University of Technology student and leader of #Fees Must Fall movement. Phindile’s life takes a sharp turn after the student protest at the Union Buildings in Pretoria. This story is a testament to her determination to triumph despite the odds stacked against her by the system and society at large. She will stop at nothing to fight for the freedom of students, for free education and ultimately her own freedom. ‘Freedom’ also examines

A musical about Nigerian musician Fela Kuti, who developed a unique style of music known as AfroBeat. AfroBeat is a blending of African rhythms and harmonies with jazz and funk, and its lyrics contain powerful political and social messages. For the criticisms contained within his music, Fela Kuti was subject to countless beatings and physical harassment. He died in 1997.